The dark side of the shadow of Digital Humanities

[While waiting to read the issue of difference discussing the “shadowy” digital humanities and their shadows,  I recovered from my previous blog this posts discussing the MLA panel on the dark side of DH that inspired the journal issue.]

During the launching event of Art/Works: Platform for the creative arts and industries, here in Cork, at Triskel, there was a performance of the Conflicted Theatre Company dramatizing the life of an aspiring… artist? journalist? writer? not sure… the protagonist wasn’t sure either, and ended up working as some sort of answering/calling “machine” all his life, with bleak and depressing consequences, as you might expect. It was a moving look at the dark side of a “creative” career, precisely the kind of thing that the rest of the day (and the various events that happened during it) was aiming at avoiding. Continue reading The dark side of the shadow of Digital Humanities

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